By Leo Lionni
The fascinating tale of a chameleon trying to find his personal colour, who finally ends up discovering a real friend.Elephants are grey. Pigs are purple. simply the chameleon has no colour of his personal. he's pink just like the heather, yellow like a lemon, even black and orange striped like a tiger! Then sooner or later a chameleon has an idea to stay one colour ceaselessly by means of staying at the greenest leaf he can locate. yet within the autumn, the leaf adjustments from eco-friendly to yellow to crimson . . . and so does the chameleon. whilst one other chameleon indicates they go back and forth jointly, he learns that companionship is extra very important than having a colour of his personal. regardless of the place he is going together with his new buddy, they are going to regularly be alike.
A little chameleon is distressed that he doesn't have his personal colour like different animals.
From Barnes & Noble
Author-illustrator Leo Lionni is widely known for his use of colourful and imaginitive watercolor storybooks. a colour of His personal, now during this handy board ebook, doesn't disappoint. within the actual form of a grasp storyteller, Lionni provides a truly adorable chameleon with a distressing challenge. regardless of how challenging he attempts, he can't appear to locate his personal colour. He continuously turns out to conform to his atmosphere, by no means maintaining a "signature" color. made up our minds to be one colour, he discover a eco-friendly leaf and remains there. yet because the seasons swap, so does the leaf, and so does the chameleon! whilst he befriends one other chameleon, he realizes they'll continuously be a similar colour in the event that they stick jointly. This newfound friendship is way extra significant than whatever else.
Preschoolers will get pleasure from the illustrations and fall in love with the cute chameleon. Lionni makes use of little or no prose during this tale and manages to show this excellent message of affection, friendship, and belonging in a fascinating fashion.
Publishers Weekly - Publisher's Weekly
Lionni's signature watercolors span the rainbow during this tale of a chameleon who, whereas trying to find his identification, reveals a chum with whom he can proportion his changeable nature. a long time 3-5. (Sept.)
Of the unique variation of a colour of His personal by way of Leo Lionni (1975), PW wrote, "Lionni's signature watercolors span the rainbow during this tale of a chameleon who, whereas looking for his id, reveals a pal with whom he can proportion his changeable nature." Copyright 2006 Reed enterprise Information.
Lionni's uncomplicated story of a disillusioned chameleon who eventually unearths happiness is as desirable now because it was once whilst first released in 1975. We meet the fairway parrot, the pink goldfish, the grey elephant, and the purple pig; "All animals have a colour in their personal, with the exception of chameleons." Chameleons swap colour reckoning on the place they're. The chameleon during this tale hopes to discover a colour of his personal, however the leaf he's on turns yellow and pink and falls off the tree, leaving the chameleon black "in the lengthy iciness night." while he meets one other chameleon within the spring who will remain via his aspect and alter colour with him, he can eventually dwell "happily ever after." Watercolors on ready papers are used to chop the best of shapes caught on white pages. a powerful distinction is made with the darkish crimson heritage for wintry weather and the pointy eco-friendly blades of grass for spring. The spare textual content deals classes on colour, on chameleons, and on friendship. 2003 (orig. 1975), Alfred A. Knopf/Random condo Children's Books, and a long time three to 6.
—Ken Marantz and Sylvia Marantz
From the Publisher
"Lionni's signature watercolors span the rainbow during this tale of a chameleon who, whereas looking for his id, reveals a pal with whom he can percentage his changeable nature." —Publishers Weekly
"As attractive now because it was once while first released in 1975." —Children's Literature
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Extra info for A Color of His Own
In and out of the nursery This movement of genres between writing for children and adults is noted by Jacqueline Rose, who sees children’s literature as being charged with the care of certain older forms of literary texts such as myths and legends as a means of preserving and eventually restoring values perceived as being ‘on the point of collapse’ in contemporary culture (1984: 44). In Retelling Stories (1998), John Stephens and Robyn McCallum draw attention to the way that the stories cultures choose to preserve and repeat serve a purpose.
E. H. Lawrence, and John Masefield, for instance, all wrote for children at some point in their careers. However, the three writers I have selected were leading figures in literary modernism and their work is often concerned with the sensibilities of childhood. They thus provide a useful 24 Breaking the Frame 25 base for comparing how modernist writers perceived children’s literature and how writers and illustrators who concentrated on producing work for children responded to the modernist aesthetic and ethos.
In Snow White (1974), for instance, Snow White is shown as a circle ‘as red as blood’ surrounded by one ‘as white as snow’ outlined by a ring ‘as black as ebony’. The seven dwarves are represented by seven red diamond shapes; the wicked Queen by a black circle surrounded by a golden circle or ‘crown’, and the mirror is a golden frame around a blank white centre. 10 Like Jansson, Lavater shares the modernist interest in the physical characteristics of books and the way these contribute to – but also conventionalise – how 38 Radical Children’s Literature narrative works.
A Color of His Own by Leo Lionni