Richard Stoneman's Across the Hellespont. A Literary Guide to Turkey PDF

February 14, 2018 | Turkey | By admin | 0 Comments

By Richard Stoneman

From Herodotus to Freya Stark, writers were encouraged through Turkey, a diversified state on the crossroads of background, for millennia. the following, Richard Stoneman describes in full of life aspect the amazing literature they produced. At a time whilst Turkey’s place at the fringe should be set to alter to a deeper involvement in Europe, the necessity to comprehend the rustic is much more compelling. the diversity of shuttle writing represented during this publication indicates how, whereas political situations could switch, the trap of Turkey is still constant.

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As in Keçecizade İzzet’s chronogram, the sultan is described as the link between the divine and the mundane. It is his virtue as a “pole” (kutb), and his power as a ruler (as implied by the use of “palace”) that renders the muvakkithane the center of the universe. In this way, the poet locates Molla Efendi within several hierarchical schemes that are mutually supportive: the patron is an actor in the divine order of the Reading Clocks, Alaturka { 29 } universe, turning spheres and planets; he is personally tied to religious authority and knowledge (as personified by his father) and to the political authority of the Ottomans, as he supports an edifice of a deceased sultan with his charity.

In Sufi thought, the turning of the spheres, the revolution of celestial bodies, the passing of years, seasons, and days all punctuate the passing of mundane time, which is often described as a destructive force that corrupts everything. 19 An argument may be made about the affinity of circular images of time (such as devr-Â�i zaman) and some of the most prevalent themes in Ottoman historiography and political thought. Writing about the etymology of the word “revolution” in European languages, Reinhart Koselleck notes that during the early modern period, the word usually signified circulation or a return to the point of departure, and was closely connected to the circular orbits of planets and the cycle of constitutions discussed by different classical writers.

With stars İzzet adorned the zodiacal sign/fortress of his chronogram. The muvakkithane became the duplicate of the spheres on earth. 44 This chronogram reflects the unique fusion of mundane and divine authority, of natural, social, and mechanical rhythms that together formed imperial temporal culture in the late eighteenth century. The chronogram opens with mention of the ruler and his benevolence as manifested in the construction of the muvakkithane. It then moves on to place the muvakkithane in the interface between the earth and the heavens.

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Across the Hellespont. A Literary Guide to Turkey by Richard Stoneman

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