By Julia Pretl
There is not any different ebook out there that provides broadcollar initiatives for beaders-a conventional form.Julia S. Pretl, writer of Little Bead bins and Bead Knitted baggage, has created a set of beaded neckpieces, encouraged through broadcollars, the dramatic jewellery worn by means of the traditional Egyptians and a well known shape between beadworkers. She has tailored the conventional form-a wide, beaded necklace-to create ten unique designs for the fashionable beadworker, with ability degrees starting from newbie to extra advanced.With step by step illustrations and easy-to-follow styles, Julia leads the reader in the course of the recommendations for growing the stitched "ladder? -the uncomplicated unit that's mixed and joined in quite a few how you can create all of the specified designs. She additionally teaches readers tips on how to construct a custom-sized template, pick out a colour palette, and create ornamental fringe, layers, pendants, and netting so as to add the crowning glory. The introductory chapters current the fundamental beading and meeting innovations, illustrated with transparent, digitally rendered, and color-coded drawings. Four-color images of every of the ten designs and 10 element pictures illustrate every one undertaking.
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Additional info for Beaded Collars: 10 Decorative Neckpieces Built with Ladder Stitch
I also wish to thank the anonymous reviewers of my manuscript; their comments, even where I disagreed with them, stimulated my thinking and contributed materially to the book. I also would like to acknowledge the publication subvention which was very kindly provided by the JaDe Foundation. Personal support has proven to be the most crucial aspect of this project’s completion. A special acknowledgement, therefore, is due to friends and colleagues in Germany and Japan, especially Dr Barbara Geilhorn, Onodera Ken’ichi, and Dr Cosima Wagner whose companionship and help during the different stages of my project were invaluable.
My special thanks are also due the staff of the Fan Hall (Ōgi Kaikan) in Kurokawa, without whose cooperation this research would not have been possible. While I have received welcome aid from many persons, the responsibility for what is written here is entirely my own. Wherever possible, I have disguised the identities of those mentioned. I have purposely obscured some personal details, believing that individuals who assisted me with their comments are entitled to their privacy. I have tried to the best of my ability to present a true picture of Kurokawa.
A special acknowledgement, therefore, is due to friends and colleagues in Germany and Japan, especially Dr Barbara Geilhorn, Onodera Ken’ichi, and Dr Cosima Wagner whose companionship and help during the different stages of my project were invaluable. I want to thank, too, my cohort in the graduate programme at Waseda University for their patience with my many questions and with the problems posed by having a foreign researcher in their midst. I also would like to acknowledge the support I have received from my publishers whose editorial contributions, guidance and production skills have been invaluable in the making of this book.
Beaded Collars: 10 Decorative Neckpieces Built with Ladder Stitch by Julia Pretl