By Ernst Peter Fischer
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Additional info for Beauty and the Beast: The Aesthetic Moment in Science
Scientific method made its entrance onto this level a long time ago but the wealth of this level has yet to be exhausted. After all, there are still 44 Beauty and the Beast astronomers who are impressed by celestial spheres even when they can't observe them directly and have to look at them in the pictures made by modern devices in the cosmos (Fig. 7). Similarly, there are chernists who rave about the beauty of the molecules with which they work (Fig. 8) although these structures, too, are only accessible with special equipment and can't be perceived with the naked eye.
Another German philosopher had even taken a special approach in order to start up an independent theory of the sensory cognition which he called aesthetics. S In these books, Baumgarten worked on a reevaluation of the sensory access to things because he considered the assumption that there were mathematical and logical structures that would succeed in grasping the wealth of perceivable phenomena tobe a fateful error. The hope of explaining all things via numbers stemmed from the days of the scientific revolution at the beginning of the seventeenth century when Galileo Galilei and Rene Descartes stated that the book of nature is written in a mathematical language.
Light DNA 14N; F. heavy DNA 15N; G. intermediate DNA 14Nf15N; H. light and intermediate DNA; I. light and intermediate DNA; J. explanation; K. light: intermediate =1: 1; L. light: intermediate = 6: 2 = 3: 1. scientists do regret when their beautiful thoughts and theories are refuted by ugly facts. It's sometimes hard to resist the impression that they would rather see past the facts than to come up with an idea that might compel them to change their notions and theories. If we were to test the philosophical capacity of this last sentence, we would quickly be forced to investigate the nature of the fact.
Beauty and the Beast: The Aesthetic Moment in Science by Ernst Peter Fischer